R&F Mo, Red Horse, 2022
Linocut, 43.5 x 49.5cm, edition of 4
R&F Mo’s multi-faceted practice explores connections between the seen, the sensed and the dreamed. Playful and otherworldly, Mo’s paintings, works on paper, and theatrical enactments often feature ‘the Woanderer’, a unique, horse-headed creature that navigates imaginary landscapes whilst exploring the notion of identity.
Performance is a constant thread that weaves through Mo’s practice whether the work is studio-based or presented through a character acting in costume. Fantastical figures and beasts inhabit Mo’s vibrant worlds, telling unfinished stories that– in the artist’s words - ‘reference alternative beings and multiple dimensions, allowing the unconscious to come into play’.
This unframed linocut is a partner piece to Mo’s ‘Yellow Horse’. Printed using a vivid palette, it is typical of the artist’s imagery which often celebrates animals, the horse being a particular favourite. Mo says; ‘I’m fascinated by the gestures of animals - their attitudes and delightful expressions. I hope this print contains some of their ‘umwelt’ and enchantment’.
Mo studied at City and Guilds, London, graduating in 1980, followed by the Royal College of Art, London, graduating in 1984. An MFA and PhD followed at Central St. Martin’s, London (2004) and University of the Arts, London (2011) respectively. Mo co-authored Performance Drawing (Bloomsbury 2020) and took part in the Performance Drawing 2021 residency at The Centre for Recent Drawing, London. Works have recently been exhibited in A History of Drawing, Camberwell Space (2018), the TBW Drawing prize 2020, and the Royal Academy of Arts Summer Exhibition (2021 and 2022). Mo lives and works in south east London.
Linocut, 43.5 x 49.5cm, edition of 4
R&F Mo’s multi-faceted practice explores connections between the seen, the sensed and the dreamed. Playful and otherworldly, Mo’s paintings, works on paper, and theatrical enactments often feature ‘the Woanderer’, a unique, horse-headed creature that navigates imaginary landscapes whilst exploring the notion of identity.
Performance is a constant thread that weaves through Mo’s practice whether the work is studio-based or presented through a character acting in costume. Fantastical figures and beasts inhabit Mo’s vibrant worlds, telling unfinished stories that– in the artist’s words - ‘reference alternative beings and multiple dimensions, allowing the unconscious to come into play’.
This unframed linocut is a partner piece to Mo’s ‘Yellow Horse’. Printed using a vivid palette, it is typical of the artist’s imagery which often celebrates animals, the horse being a particular favourite. Mo says; ‘I’m fascinated by the gestures of animals - their attitudes and delightful expressions. I hope this print contains some of their ‘umwelt’ and enchantment’.
Mo studied at City and Guilds, London, graduating in 1980, followed by the Royal College of Art, London, graduating in 1984. An MFA and PhD followed at Central St. Martin’s, London (2004) and University of the Arts, London (2011) respectively. Mo co-authored Performance Drawing (Bloomsbury 2020) and took part in the Performance Drawing 2021 residency at The Centre for Recent Drawing, London. Works have recently been exhibited in A History of Drawing, Camberwell Space (2018), the TBW Drawing prize 2020, and the Royal Academy of Arts Summer Exhibition (2021 and 2022). Mo lives and works in south east London.
Linocut, 43.5 x 49.5cm, edition of 4
R&F Mo’s multi-faceted practice explores connections between the seen, the sensed and the dreamed. Playful and otherworldly, Mo’s paintings, works on paper, and theatrical enactments often feature ‘the Woanderer’, a unique, horse-headed creature that navigates imaginary landscapes whilst exploring the notion of identity.
Performance is a constant thread that weaves through Mo’s practice whether the work is studio-based or presented through a character acting in costume. Fantastical figures and beasts inhabit Mo’s vibrant worlds, telling unfinished stories that– in the artist’s words - ‘reference alternative beings and multiple dimensions, allowing the unconscious to come into play’.
This unframed linocut is a partner piece to Mo’s ‘Yellow Horse’. Printed using a vivid palette, it is typical of the artist’s imagery which often celebrates animals, the horse being a particular favourite. Mo says; ‘I’m fascinated by the gestures of animals - their attitudes and delightful expressions. I hope this print contains some of their ‘umwelt’ and enchantment’.
Mo studied at City and Guilds, London, graduating in 1980, followed by the Royal College of Art, London, graduating in 1984. An MFA and PhD followed at Central St. Martin’s, London (2004) and University of the Arts, London (2011) respectively. Mo co-authored Performance Drawing (Bloomsbury 2020) and took part in the Performance Drawing 2021 residency at The Centre for Recent Drawing, London. Works have recently been exhibited in A History of Drawing, Camberwell Space (2018), the TBW Drawing prize 2020, and the Royal Academy of Arts Summer Exhibition (2021 and 2022). Mo lives and works in south east London.
